Monday, March 2, 2015

May you see beauty

Park Tree oil on canvas 10 x 8 in.
The trees are going slowly; I have been painting lots of tiny caravans with thoughts of spreading them out on the counter of a pretty boutique.
I paint, ideally, seven days a week, from noon to 6pm (the same hours as Rick Rubin works, apparently) and walk to and from the studio every day. That walk is so boring and I hate climbing the hill but the routine and the exercise keep me sane.
Sorry I didn't post on the 15th - not much new to report just yet.

Sunday, February 8, 2015

For You

Horrible photo taken with the selfie mode of my phone (because its regular camera is broken) of a new or almost finished painting. This one was based on a daytime photograph of the Truckee River, I think! These nighttime fires with water are my most difficult paintings because so much is up to my imagination - the fire is completely made up, and yet I'm trying to make a believable space and quality of light. Plus:  the reflections on the pond. But people do love that sexy teal water. I'll be doing a small series of them and put them up on my little fires in the woods page.
Anyway, sorry I'm late again and I'll try to check in again on the 15th. Why not write a comment? (Be nice, I've had a hard day).

Thursday, January 15, 2015

As Promised

On The Dance Floor (in progress) 2005 & 2015 oil on canvas 38 x 24 in.
Apologies for my first entry of 2015 being two weeks late, on the 15th of the month! To make it up to you I will try to write twice a month from now on:  on the 1st and the Ides.
As promised, here is one of the paintings I have spent time reworking. Like the recent movie Boyhood, some paintings could be 12-year projects! It's still not completely finished, but you can play Spot the Difference.
I always liked the two central faces. The long-haired man is loosely painted, which best portrays a body in motion, so I left him mostly as-is. The red-haired woman, with her eye contact with the viewer, is the strongest feature of the image so I only dialed up the contrast and color (I can't say enough about the impact of red lipstick)! I wanted these two figures to look like they were caught in a spotlight panning across the dance floor, so the peripheral people would become more of a vignette.
This previously mostly blue, green and yellow painting looked watery to me. I went back in adding warmer colors - red, purple and rich, velvety black - with the intention of catching the drama of a night scene. I made the hair colors more realistic, added a dancing hand or two, and am playing with skin tones and clothing colors until the painting feels real, special and harmonious. It would be nice to add the colored lights and flashes of a club, but it can't be gratuitous:  the photo was taken from the balcony of a night club looking down at the dance floor with a flash camera, and there was no fancy lighting. We are almost there.

Monday, December 1, 2014

Celebration in the Woods

Celebration in the Woods oil on canvas 16 x 20 in.
Thank you to everyone who came to our open studio. It was great.
This new painting is in the Berkeley Art Center's annual members' show called Here, open through December 14.
With the days being shorter and colder and some rain finally coming through California, this isn't a time of year when I get much painting done.  I have restocked at my beloved Arch and Flax art supply stores, and had a short trip to a strange, magical little town on the straits northeast of here. The trees and lights, trains passing through, Victorian hotel, delicious restaurant and the creative souls there have inspired me.

Saturday, November 1, 2014

Right now I'm in the middle of this






Sean, Mark and I each have a piece in ArtSpan's Open Studios exhibition, which will be open through Nov. 9 if you'd like to see a sampling of 450+ SF artists' work.

I will also have a painting in Modern Eden's Open Studios "hub" show, 12 x 12 which will be on view Nov. 4 - 9 and can be previewed here. Modern Eden is a North Beach gem of realist and surrealist art.

And I intend to submit a piece to Berkeley Art Center's annual members' show, Here, running Nov. 15 - Dec. 14 because it's an unmissable array.

Finally, fabulous news! Seattle's Center on Contemporary Art is publishing a catalog of the summer's juried national, Postglamism: Glam Art in the 21st Century. You can order it here and preview the book too.
From the juror Michael Sweney's remarks: "The most traditional painter in the show, Hadley Northrop, depicts people from an apparent post-glam world, party-goers and scene-sters. The works are deftly-painted realism, but not literal, like an absinthe-fueled dreamscape."

Wednesday, October 1, 2014

New work

The Accordionist oil on canvas 28 x 16 in.
I'm posting new work daily to my website, hadleynorthrop.com, and getting my ArtSpan page up to date in preparation for Open Studios in one month. Probably all the paintings I'll be showing at Open Studios will be previewed on the ArtSpan website.
Also have been taking a community college sewing class - I love to sew, it makes a great counterpoint to painting because you follow a series of steps and don't have to make decisions with every move! Then again some paintings - the big, complicated ones - are like making a quilt, and the only way to finish them is stitch by stitch. 

Monday, September 1, 2014

The oil paint equivalent of glitter




Brand new paintings in my studio
These are new:  two in the aforementioned tree series, a tiny trailer and, from a photo by Sean Vallely, fires on Ocean Beach. All are pretty much true to their photographic sources, except that I felt the one on the left, the tree with Victorians, needed a little something extra. On Castro Street there is a tree that looks positively magical when you are walking down the hill towards the Castro in the evening and the lights shining through from ahead seem to twinkle in its branches.  So I gave my tree some tiny lights, a little sparkle from the streetlight. Then I turned a house into a car in the tree with the moon - magic! Then  I stretched a big preprimed canvas and it was all  floppy, until I sprayed water on the back and it's now like a drum - I'm easily pleased!
Our open studio is two months away, and because we travelled so much this year, I feel like I just have to catch up. I've also spent quite a bit of time reworking old paintings but really only because I enjoy it. Once the figures are in place, which they are in these two larger-scaled works, it's just a matter of changing the colors to give the painting more dimension and mood. Remember how much fun coloring books were? It's like that. Almost a year ago I started reworking. I will post images when they are done so you can see what I was talking about.
Sorry for the crappy photo this month - I couldn't seem to save changes to the image and I want to get out and enjoy this beautiful Labor Day.
If  you'd like to get on my mailing list for the Open Studios postcard, I suggest sending me a message via my hadleynorthrop.com Contact form. Also visit me on ArtSpan and find out all about San Francisco Open Studios. November 1 and 2.